Baby Lasagna Speaks Out: Drama Erupts Over Ireland’s Entry and Disqualified Dutch Competitor

In the glitzy world of Eurovision, controversy is never far behind the glitter and glamour. The latest spark came from an unlikely source: Croatia’s eccentric 2024 Eurovision representative, Marko Purišić, better known by his flamboyant stage name, Baby Lasagna. Known for his unfiltered opinions and brash humour, Baby Lasagna has become a figure of both adoration and controversy on the Eurovision circuit.
Recently, the artist and his manager, Krešimir Šustić, sat down for a revealing interview on the popular Croatian Podcast Inkubator. What followed was a candid and somewhat explosive dissection of Eurovision’s backstage politics, culminating in sharp remarks about Ireland’s entrant, Bambie Thug, and the disqualification of Dutch singer Joost Klein.
The conversation, however, went beyond mere gossip, striking at the core of Eurovision’s intricate and often misunderstood dynamics.
Bambie Thug’s Unorthodox Success: Talent or Mere Theatrics?
At the heart of Baby Lasagna’s critique was Ireland’s eccentric performer, Bambie Thug. Known for her unique performance style and avant-garde aesthetic, Bambie Thug has split public opinion. To Baby Lasagna, her success wasn’t purely based on merit. He bluntly stated that her high placement was largely due to the shock value of her performance, rather than the intrinsic quality of her music.
Recalling a humorous yet surreal moment during the competition, Baby Lasagna described how Bambie, in the final moments of voting, began chanting «Nemo! Nemo!»— a reference to Switzerland’s winning act. Not to be outdone, Serbia’s delegation started chanting, «Marko! Marko!», sending Baby Lasagna into fits of laughter. “I nearly died from laughing,” he admitted, still seemingly amused by the bizarre spectacle.
While acknowledging that he personally enjoys alternative music, Baby Lasagna wasn’t shy about offering a critique of Bambie’s entry. He recognized her appeal but attributed her success to the meticulously produced performance, rather than the song itself. “It’s cool, but it was the theatrics that carried her through,” he remarked.
Drama with the Israeli Delegation: Love, Peace, and… Outrage?
The interview took a deeper dive into the tensions simmering behind the scenes. Baby Lasagna shed light on a tense confrontation involving Bambie Thug and Israel’s delegation, which occurred just before a crucial dress rehearsal. According to Baby Lasagna, the Irish performer became agitated when a member of the Israeli team began filming her without consent. What followed was an outburst in which Bambie, apparently furious, shouted about Eurovision being “a celebration of love and peace,” while, paradoxically, yelling at the top of her lungs.
“I was biting my lip to keep from laughing,” Baby Lasagna recounted, his voice laced with amusement. “Talking about love and peace while she’s screaming at people? It was pure drama, completely unnecessary.”
To add to the melodrama, Baby Lasagna claimed that both Bambie Thug and Switzerland’s Nemo later retreated to a private room, where they allegedly burst into tears. “What’s going on with you people?” he questioned. “This is Eurovision, not a therapy session.”
The Mystery of Joost Klein’s Disqualification
Perhaps the most shocking revelation of the interview concerned Dutch contestant Joost Klein, who was disqualified under murky circumstances involving a physical altercation with a photographer. Baby Lasagna, adopting a playful, gossipy tone, confessed to indulging in some backstage sleuthing. “I felt like a nosy old lady, going from delegation to delegation, trying to piece it all together,” he laughed.
According to Baby Lasagna, Joost’s troubles began when he failed to show up for a scheduled rehearsal, sending a stand-in instead. Later, tensions boiled over when a photographer approached Joost. After a terse exchange, Joost reportedly knocked the camera out of her hands, sparking a confrontation that led to the European Broadcasting Union (EBU) stepping in. The photographer felt threatened and called the police, resulting in Joost’s swift disqualification.
“It’s difficult to know exactly what happened,” Baby Lasagna admitted. “But if the EBU made that call, it must’ve been serious.”
Post-Interview Fallout: Unfollows and Unrest
Baby Lasagna’s frank remarks quickly spread beyond Croatia, picked up by international Eurovision fan sites like Eurovision Fun. As a result, both Nemo and Bambie Thug reportedly unfollowed Baby Lasagna on social media, signalling a rift between the artists. The Croatian singer, however, seemed unfazed, posting a tongue-in-cheek response on Instagram, where he shared a message of solidarity with Palestine— a move that further polarized Eurovision fans.

Support for Baby Lasagna has been robust among his followers, with many praising him for speaking his mind. Comments flooded the interview video, with fans lauding his candour: “Eurovision may be dead this year, but at least Croatia has integrity,” wrote one supporter. Another commented, “Thank you for telling the truth—Bambie wants peace and love but shouts at the cameramen?”
A Stubborn Voice Amidst the Noise
As the fallout continues, Baby Lasagna’s Instagram post supporting Palestine added another layer to the saga, showing that the artist isn’t afraid to wade into political territory. He expressed a deep sense of responsibility toward the Eurovision community, stressing that while he didn’t initially feel compelled to comment on the situation, he now sees a need for clarity. In his post, he condemned the actions of the Israeli government and pledged his support for the Palestinian victims of the ongoing conflict, stating that he prays for them each night.
In a world where Eurovision is often reduced to glittery costumes and catchy tunes, Baby Lasagna’s raw honesty has cut through the noise, for better or worse. Whether you view him as a provocateur or a truth-teller, one thing is certain: his voice won’t be silenced any time soon.
And in the midst of all the drama, Baby Lasagna has proven that, sometimes, the most captivating performances don’t happen on stage, but behind the scenes.
Source: Glas Istru